Skip to main content

SRI GOPALADASA – BRIEF LIFE SKETCH

 

Pushya Bahula Ashtami is the punyadina of Sri Gopaladasa [c.1720/21 – 1760/61].

He is one of the much celebrated Dasa Trio of post-Vijayanagara period. His ankitan nAma is ‘Gopala Vitthala’ bestowed by Sri Vijayadasa.

BIRTH & CHILDHOOD:

The original name of Gopaladasa was Bhaganna (ಭಾಗಣ್ಣ). He was born to Murari and Venkamma in Mosarakal village. He was the eldest of 4 siblings.

After father’s death his family moved to Uttanuru village where his mother struggled to raise the children. Her hardships have deeply moved young Bhaganna and made him to resolve that he should become rich by all means.

Here is a photograph of his house in Uttanuru near Gadwal, Telangana that has been preserved by descendants.

Image

 

As he reached the age of getting initiated into Vedic studies, his upanayana was performed by Gundappa, shanubhoga [village head] of Sankapura.

GAYATRI SIDDHI AT UTTANUR

There is a Hanuman temple at Uttanur which was consecrated by Sri Vyasaraja Tirtha. This sacred site became the dais for Bhaganna to undertake Gayatri mantra recitation. His aim was to get siddhi of Gayatri mantra and gain powers. Particularly in Jyotisha Shastra.
Image

 

Bhaganna made a rigorous penance at the Hanuman temple of Uttanur. Every morning, he was taking bath in a well located in the premises of the Anjaneya temple and was performing his Nitya Karma. After that he was sitting under a peepal tree located opposite to Anjaneya pratima to chant Gayatri mantra. Likewise he spent 2 years in deep meditation.

 Image

The peepal tree & the place where Gopaladasa did Gayatri japa.

 

Image

Step well in which Bhaganna took bath for 2 years.

 As a result of his deep penance and recitaation, he was bestowed with trikAla jnAna (ability to know past, present & future) of anyone standing before him. He achieved his goal of becoming a great Jyotishka.

Since then, this Vyasaraya pratishTha Anjaneya became to be known as “Gayatri Anjaneya.”

Image
To commemorate this event, a granite pratima of Gopaladasa in meditation has been installed under the peepal tree.
Here one can see an ancient vishNupAda as well.

Image

MEETING HIS SWARUPA GURU

Bhaganna became quite famous for perfect predictions of the fate of the people. He also became rich with the offerings made by the people gaining from his predictions. Later, he got in touch with Vijayadasaru.
Image

                   Sri Vijayadasa

Before meeting Vijayadasa, the legendary saint-poet of those times, Bhaganna was engaged in writing poems that carried ‘Venkata Krishna’ (ವೇಂಕಟಕೃಷ್ಣ) ankita. This was replaced by ‘Gopala Vitthala’ (ಗೋಪಾಲವಿಠಲ) bestowed by Vijayadasa. 

The initiation of Bhaganna into Haridasa fold has happened in c.1746 at Mangaraya temple, yet another Hanuman pratima installed by Sri Vyasaraya. This event performed under this banyan tree located inside Mangaraya temple premises.

Image

Tree under which Vijayadasa gave Dasa Diksha to Bhaganna

Within 14 years of his haridAsa lifespan, Gopaladasa wrote hundreds of Kirtana, Suladi & Ugabhoga. Alongside of poetic talent, he was a noteworthy artist too. The hand-drawn paintings at his house at Uttanuru stand testimony of this less known skill of the saint-poet.

Image

Image

JAGANNATHA DASA & EXTENSION OF HIS LIFE SPAN

Sri Jagannatha Dasa was the celebrated disciple-cum-beneficiary of largess of Gopaladasaru.

As per the legend, on advise of Vijayadasaru, Gopaladasaru parted away 40 years of life with Jagannathadasa at Tirumala (estimated to be in a Brahmotsava conducted in c.1754).

Image

Sri Jagannatha Dasa

This great sacrifice made a 33 years young haridAsa to another younger haridAsa (Jagannathadasa) of 27 years age enabled the latter to write ‘Hatikathamrutasara,’ a magnum opus of entire Kannada Haridasa literature.

As a result of donating 40 years of lifespan, Gopaladasaru left his mortal coil in c.1761/62 at Uttanur. Before leaving the mortal world, Gopaladasaru told his brothers that he will be reincarnating in the same village & hence his bones shouldn’t be immersed in Ganga River.

He told that the immersion will be done by him only in next birth. As per this soothsaying, his brothers buried the bones at the outskirts of the village. This placed is now called as ‘Asti Pushkarini’ (ಅಸ್ತಿ ಪುಷ್ಕರಿಣಿ).

Image
Sri Gopaladasa’s writings throw a lot of light on the life in 18th c. His anguish over decline in Dharmik values due to advent of Kali is quite vocal. Similarly, his writings teach aspects of tattvavAda, bhakti, vairAgya, gurusEva etc. & methods to imbibe them. 

On his puNyatithi, I prostrate before Sri Gopaladasa, the legendary haridAsa who traveled widely to spread jnAna, bhakti &vairAgya in 18 c. identified as the most chaotic chapter in Indian history.

ಆಗತಾದಿ ತ್ರಿಕಾಲಜ್ಞಮ್ ಆಗಮಾರ್ಥ ವಿಶಾರದಮ್
ತ್ಯಾಗಭೋಗಸಮಾಯುಕ್ತಮ್ ಭಾಗಣ್ಣಾರ್ಯ ಗುರುಮ್ ಭಜೇ

Comments

  1. Very useful article every dasa bandugalu should know about Gopaladasaru life history

    ReplyDelete

Post a Comment

Most Read Articles

SRI BRAHMAYA TIRTHA & THE UNIQUENESS OF HIS BRINDAVANA AT ABBUR

INTRODUCTION Sri Brahmanya Tirtha is a lesser known stalwart from Dvaita school of Vedanta which has more than 800 years of recorded history. Sri Brahmanya Tirtha's first unique identity is that he was the Ashrama Guru of the much celebrated Madhva Guru, Sri Vyasatirtha.  It is well known that Sri Vyasatirtha lived during the heydays of Vijayanagara Empire. He acted as a spiritual advisor to six  Vijayanagara  emperors. He has acted as the overseer of Tirumala temple for 12 years between c.1484 to c.1496. Sri Vyastirtha also established two universities - one at Hampi and another at Penugonda. Thus Sri Brahmanya Tirtha has a unique place in the Guru Parampara of Madhvas for more than one reason.  Above all, it is his Brindavana  at Abbur in Karnataka that attracts one and all because of its spiritual powers and also for an exclusive iconographic feature. This article explores that special characteristic of Sri Brahmanya Tirtha Brindavana at Abbur. SRI BRAHMANYA ...

THE ICONOGRAPHIC SIGNIFICANCE OF SRI SRIPADARAJA TIRTHA BRINDAVANA MULBAGAL

INTRODUCTION Sri Sripadaraja Tirtha (c.1412-1502) is one of the much celebrated Madhva saints from 15th century.   Sri Sripadaraja Tirtha’s contribution to both Samskruta and Kannada literature is immense and laudable. He played a significant role in establishing Haridasa  Paddhati. He also created new forms of prosody that are still in vogue. His b rindavana at Mulbagal in Karnataka  has iconographic significance that must be observed and understood.  The front stone panel that has the figurine of Sripadaraya is full of intriguing features. This article is an attempt to examine those significant features and ascertain their relevance to Sri Sripadaraja Tirtha. EXPLORATION OF SRI SRIPADARAJA IMAGE ON THE BRINDAVANA If we observe the carving of Sri Sripadaraja on his brindavana, it has earrings. This is the first iconographic significance. As per the Sanyasa code of conduct recommended by Sri Madhvacharya, Sanyasins should not wear any ornament. But here...

A UNIQUE KANNADA DEVOTIONAL SONG HAVING EMPEROR KRISHNARAYA'S NAME

  INTRODUCTION: This devotional song of Sri Vyasatirtha in Kannada language is a perfect blend of devotion and history. It clearly shows how the history can be understood from the philosophical works of this land! Here is the devotional composition of Sri Vyasatirtha: Song courtesy: Sanchaya.net In this song, Sri Vyasatirtha describes little Krishna as a physically impaired child (having hurt his legs & unable to use them). In first two charanams (stanzas) the saint-poet alludes reasons for the impairment such as  Due to the retrograde of Grahas or Inauspicious eyesight (cast by the vice) or Due to suckling the poisnous milk fed by Putana or Due to the fear of Kamsa, the brother of his mother etc. In the 3rd charana which is the concluding stanza of the composition, Sri Vyasatirtha says:   "To show the beauty of His consorts to the victorious Krishnaraya or by deeming that Vidyanagara (Vijayanagara aka Hampi, the capital of the empire) is a much greater place, O yo...